Creating a New Event / Play

The following links, describe how to insert new plays and events into the database.

Creating New Events / Plays

Typical time to program an entire season of 8 or so plays is usually easily done within a morning (including coffee).

 

Creating the event (Summary of Steps)

To create an event from scratch, you use the steps that follow. Links are provided to explain each window in detail. The general steps are:

  • Name the event
  • Set up the Accounting
  • Enter the Marketing information and images
  • Create the performances (you can do this as many times as you need if your patterns are interesting, or want add performances later)
  • Price the tickets for the performances
  • Enable any discounting you want on the performances
  • and then you are done, ready to sell the tickets

 

Step by step creating the event

  1. Open the Event / Play List Window.

    Click here to learn how to access this window.

  2. Click the New button.

    The fields are blanked to allow you to add new data.

  3. Enter the Event / Play information.

    Click here for more information on Event / Play Information tab.

  4. Click the Accounting tab.

    This is more fully described in Accounting setup. If account codes for events do not vary, it can be easier to simply start by duplicating a prior event and then change the name of the duplicated one.

    When accounting is set up, click the Save button to activate the rest of the tabs.

    You may want to create some general ledger account number for the new event / play pror to setting up the event. If so, refer to General Ledger Accounts for more information.

    Venues that do profit/loss by event using class codes, category codes, or job cost code (the name depends on your financial system), often use the same accounts for each event they set up and, instead, rely on the job code in end of day accounting separation in the revenues by event report.

  5. Click the Marketing tab.

    Refer to Marketing Tab for more information. This is where you provide any images, text and genre's that will appear in the online sales module.

  6. Click the Performances tab.

    This allows you to set up and number of performances using many different sales methods (eg a mixture of reserved, general admission, touring, classes and more, if all are related.

  7. Click the Pricing tab.

    After performances are entered, you need to set the Base prices for each pricing zone you created in your venue. Once you set up one performance, you can copy those prices to the other performances if they are similar.

  8. Click the Promotions tab.

    Promotions are a way of setting the valid discounts on tickets for each performance. You typically start with your menu of available promotions and disable the ones you don't want to allow for a performance. For example, you may not want group sales or certain comps on opening night.

  9. You can now start selling the event

    The remaining tabs show information about the current state of sales such as:

    • Maps - shows which seats are taken on any reserved seating performance at a glance
    • Attendance - shows who is coming to the event
    • Personnel - indicates who is working each performance if you are tracking these things for volunteers or facility management
    • Revenue - shows total sales for each performance
    • Sales - allows various summarizations of WHEN people bought tickets to correlate to marketing events or onsales
    • G/L - shows the journal entries showing sales posted to the accounting system via the end of day process
    • Tasks - shows any tasks assigned to the event for any purpose. The can be renter related tasks (move in/move out), or technical activities like maintenance and cleaning, or admin activities like backstage tours
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Adding Performances

Once you have created an event you can add the performances to sell tickets to.

If you have:

There a subtle difference when the actual ticket inventory is created.

 

Reserved Seating

Tickets are created at the same time as the performance is created. One ticket is created for each seat in the theatre so that tickets always exist for every seat. This ensures that there can never be a double seating issue!

 

All other sales methods

Tickets are created at time of sale and a ticket can represent an admission of a number of people (e.g. admit 10). If a ticket always represents one admission, the number of tickets created will be similar to reserved seating.

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Step 1: Number of Performances

The first step is to identify the primary sales method and the number of tickets that can be sold in each performance. The data required is:

Number of Performances Enter the number of new performances you want to add.

If you have

  • a regular pattern of performance with similar dark days, performances times, sales methods, etc, just type in the total number of performances for the event.
  • a different pattern for each week, then do a week at a time and repeat the process
  • no pattern at all, enter however many you want, move them around in the calendar at the end and then edit any outlier dates and times

Sales Method and Map Settings

Sales Method The sales method indicates to Theatre Manager how you want to manage the sale. The three key methods are General Admission/Festival Seating, Reserved, and Course/Classes.

In the Sales Method drop down list, choose the primary type of seating that will be used in this performance. You can change it later on a per performance basis in the calendar.

Sales Method Description
Auction Item Used to sell items being used for an auction.
Consignment Tix Used to sell tickets on the behalf of another group where they have allotted you a particular number of seats and have probably even provided you the tickets. Consignment Tix has no overselling feature.
Festival Seating Used to sell tickets to an event that where seats are not assigned to the patron. This is often referred to as General Admission and sometimes as Rush Seating.
Advantages
  • The performance can usually be oversold because there is some no-show factor that can be counted on.
  • The price of the tickets is usually a little less than reserved seating
  • Patrons will automatically space themselves out to create a comfortable house dressing
  • Can be used for flexible passes
Disadvantages
  • Patrons often arrive at the venue earlier to ensure a good seat. (this can be an advantage if you have a bar)
Inventory Could be used to sell merchandise. For example, T-shirts, Programs, etc. This is a legacy capability in Theatre Manager. Now, it is far better to use the resource based inventory management/merchandise sales.
Reserved Used to sell tickets to an event having reserved seats. Reserved seats can only be used with theatre maps that have had seats created.
Advantages:
  • Customers will pay a higher price for the ticket
  • Most popular ticket sales method
Disadvantages:
  • Cannot count on a no show factor to over sell the theatre
  • House seats must be explicitly booked out
  • Causes some work for the Box Office manager to ensure the house is dressed properly
Traveling Troupe This is used for shows that travel to various locations. This sales method enables a new performance to be created for each booking, track contact onsite, estimated class size, accommodations and some limited schedule items.
Courses/Classes Course registration is designed to help venues manage their education curriculum, workshops and such. There are a number of features that are part of this feature like attendance reason tracking, class rosters, report cards, and more.
Performance Type Performance type is a customizable code table field you can use to flag specific performances. You can use it for display on the web. It can also be used for reports to narrow down searching for specific performances in reports.
Prevent Overselling This field indicates if you want to prevent sales to occur over the Max Quantity to Sell amount. It might be useful to deselect the option for outdoor events where there is no practical limit to the number of tickets that can be sold.

This only applies to General Admission/Festival Seating.

Set Initial Holds On a pricing map, you can set up a standard holds in the venue for house, sound, ushers, artists etc. When you click this optionL
  • reserved seating performance maps automatically get the default holds
  • general admission performance get a lump sum hold amount that matches the total holds in the graphic map

Capacity and Reporting

Max quantity to sell For reserved events, this cannot be changed as it is the total seats in the pricing map. For other sales methods, you can restrict the number of sales to this value.

For example, you may normally have 400 seats in your theatre, but the designer has created a set that obstructs 50 seats. You do not want to create another theatre map, or you just don't have access to them. Enter a quantity of 350 seats to sell. That will be your house total for that event.

Quantity to report Use this setting to indicate when you tell online sales and reports that you are 100% full. It includes all SOLD and HELD seats.

In the prior example, If you have 400 seat house and 50 blocked seats, you can sell 350 seats. If you indicate that the Quantity to Report is 275, then web sales will stop when SOLDS + HOLDS > 275, leaving 75 seats unavailable online.

Refer to further description of meaning of Quantity to Report in performance setup

This option is not applicable for Traveling Troupe.

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Step 2: Initial Sales Settings for Performances

Initial performance settings let you set up how you would like the event to work. These can be changed:

Initial Performance Settings

Selling at the Box Office Checking this box allows you to sell the performance at the Box Office.
Selling at ALL Other Outlets Checking this box allows you to sell the performance at other outlets. If you allow a performance to be sold at another outlet, you can now specify which outlets have the capability so that each performance can be sold by different people.
Selling via the Internet Checking this box allows you to sell the performance on the Internet.
Allow Patrons To view if not for sale If checked, then the event can be set to show online as coming up, even if not yet for sale. It allows pre-announcing events without enabling for sale.
Set onsale date in advance of performance When creating a number of new performances, you may want to stagger when they go on sale online.

If you enter a value for the number of days in advance of the performance, then theatre Manager will automatically calculate the onsale date based on the performance date during initial creation of the performance.

For example, you may want to set the onsale date 3 months in advance of a long running show.

Season Control House Checking this box allows the performance to be used in a Control House for subscribers.

Other

Sales Target You can enter the sales target for each performance. All performances will get the same value and is placed on some reports.

If the target is to be different on each performance, you will have to correct it after the fact on the performance window for each performance.

The Sales Summary-Quick report can be configured to shows this data in the parameters tab.

Perf Flag A special flag used to denote Performance. This is typically used for a plug-in for Web Sales.
Include in Patron Statistics Include any sales totals for this event in each patron's annual patron statistics tab at the bottom of the patron window. Normally you would want this.

Access

Sell Allows you to control what user access groups have the ability to sell this performance at the box office.
Report Allows you to control what user access groups have the ability to run reports containing this performance.

Performance Email Reminder

Send Reminder You can indicate if you want an email reminder sent to patrons who purchase to a performance. This email can be customized to each event or performance by duplicating and editing a web page, or you can use a default one.
Reminder in Advance Time If you do want an email reminder sent for any performance, then you can indicate how far in advance of the performance it should be sent. This value is typed in weeks, days, hours, and minutes format. Example values are:
  • 6h - for 6 hours
  • 1d - for one day
  • 1w - for one week
  • 4w - for one month
  • 1h30m - for 1 hour 30 minutes
You can type the amount in all in minutes, or using the the format above, or use the clock icon to pick a date so that the system will calculate the actual number of minutes in advance for the reminder time.

Any ticket to the event bought closer to the performance than the email reminder time will receive an immediate reminder.

Single Seat Rules for Reserved Seating Maps

Single Seats not allowed Means that a patron selecting tickets online will not be able to make a seat selection anywhere in the map that would leave a single ticket. This option is designed to maximize revenue and is the recommended/default option.
Single seat checking disabled/relaxed Means that a patron can pick any seat they want and leave single seats on the map. This maximizes patron choice, so the patron could:
  • pick the middle seat out of three, or
  • a single in where there are two seats left.
  • The patron cannot, however, leave a single ticket between two others in their seat selection. (i.e. they can't pick every other seat).
The example to the right shows an example of what would be accepted using this rule.
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Step 3: Performance Date Pattern

Date of First Performance Enter the date of the First Performance (if no performances already exist,) or the next Performance (if you are just adding another performance).

The date that is entered here is not written in stone. It can be altered in the calendar by dragging a performance and/or it can be edited after the fact if you want to move a performance. It is meant to be used as a guide in creating all performances for the event.

Daily Performance Pattern

Weekdays Using the slider for each day, select the maximum number of performances (up to 10) that typically occur on each weekday

If you have multiple performances on a specific day of the week, select that number and additional performance times will appear on the right hand side. The number of performances is to be used as a general pattern when setting up the performances date and times.

Performance Times

Time slots If there is a day of the week that has more then one performance then you may set a matinee time as well as an evening time. These times are to be used as a general guide line when setting up an event. They can be changed at anytime after the performance has been created.

Performance Series Codes

Create Codes as Refer to Performance Codes for more information
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Performance or Series Codes

The performance or series code provides quick reference to a performance(s) fpr an event. The content of the code should be reflective of an easy way to find the specific performance during the sales process. Performance codes can be up to eight characters or numbers.

It is important to know that each performance within the event code MUST be unique.
Comparable performances in multiple events can have the same series code so that you can manage or sell a subscription. Selling a subscription will sell all events (in the season package) with the same performance/series code.

If it is important to find a particular performance (1st Friday) for several events at the same time, each series should have the same code. This becomes very usefully when a patron is booking a season subscription and would like to attend the same time every month. Establishing a consistent nomenclature for the Event and Performance codes saves time during the sales process.

The following examples are recommended as an easy way for the sales person to verify that they have the correct performance. Codes should be in a week - day - performance format.

Week Long Performances

The following example would allow for easy comparison of week-long runs of shows.

1-SAT For the performance on the first Saturday.
2-SUN-M For the matinee performance on the second Sunday .
3-SAT-E For the evening performance on the third Saturday.
3-SAT-M For matinee performance on the third Saturday.
3-SAT-A For morning performance on the third Saturday.

Single Day Performances

If you do not have multiple performances per day the next example would allow for an easy comparison of the days of the week.

SAT-1 For the performance on the first Saturday.
SUN-1 For the performance on the first Sunday .
SAT-2 For the performance on the second Saturday.
SUN-2 For the performance on the second Sunday.

Multiple Performance Event/Play

If you have multiple performances per day the next example would allow for an easy comparison of the performances per day.

1-SAT-1 For the first performance on the first Saturday.
1-SAT-2 For the second performance on the first Saturday.
1-SAT-3 For the third performance on the first Saturday.
1-SAT-4 For the fourth performance on the first Saturday.

Single Performance for an Event/Play

If you have an event/play with only one performance, create the performance code as follows.

SHOW For the performance of a play where there will be only one performance.
CONCERT For the performance of a Symphony, Band or music.
GAME For the performance of a sporting type event/play.
DRAW For the performance of a curling event/play.
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Step 4: Review Performances on Calendar

After you click the Step 3 button, the Step 3 window - Adding a Performance, opens.

  1. Review the calendar.

    As performances can span months, use the forward - back buttons to move through the calendar.

    You can use the middle button to switch the view to 2 week, week or daily view. In those views you can drag events to move them to another time slot or day.

    You can also change the time of a performance by right clicking on a performance and changing the time. On the popup list, you can only select from a list of times that have already been used for performances.

    Possible 'conflicts' will be colour coded and highlighted on the calendar and are broken into 3 parts:

    • Performance - which means there is another performance at any time on that day and possibly in another venue
    • Venue - which means that there is something else in that venue
    • Task - which means that there is some tasks in the venue that may represent conflicts on those days.
  2. To finish, click the Build button.

    To go back, push the Step 2 , or Cancel if you do not want to finish setting up the performance.

    When you push the Build button, the Build Performance list dialog opens.

  3. Click the Build button.

    The Adding performance verification window opens.

  4. Close the window and you are returned to the Performance tab of the Play window and the performance you entered is displayed.

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Assign Promotions to a Performance

By default, ALL promotions are available to the performance when it is created.

To add a promotion to a performance, you carry out the following steps:

  1. Open the Event Setup window.
  2. Click on the Promotions Tab.

    A list of all the performances for the event is displayed on the left side of the window.

     

  3. Select the performance you want to add promotions to.

    Click a performance to select it. Only one performance may be selected since each may contain different promotion data.

  4.  

  5. Select the promotions you want to use.

    Click a promotion to select / deselect it.

  6. Click the Allow Use button.

    A green check mark in the Sel column shows the promotion is available for the performance. The checked promotions will appear in the buy window when selling tickets to that performance.

Disabling Promotions for a Performance

  1. Open the Event Setup window.
  2. Click on the Promotions Tab.

  3. Select the performance.

    Click a performance to select it. Only one performance may be selected since each may contain different promotion data.

     

  4. Select the promotions you want to remove.

    Do this by highlighting the promotions you want to clear.

  5. Click the Disable Use button.

    A red X appears in the Sel column shows the promotion. The X'd promotions will now not appear in the buy window when selling tickets to that performance.

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